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Music

Home / Posts Tagged "Music"

Tag: Music

Updates all around!

Hi friends!

I wanted to take a moment to welcome you to the new website.  Please pardon the dust as I’m continuing to finalize everything here.  Hope you enjoy browsing around, and make sure to check out some of the updated features!

Speaking of updates, be sure to check out this playlist of music from some of the projects I’ve recently scored.  A list of the included works is below.

DHM RECENT WORKS 2019

  • I Am Brave (Documentary), produced for International Justice Mission
  • Behave, Kids (Short), directed by Tripp Crosby
  • Beverly Trailer (Pilot), directed by Nick Laurant and Coty Galloway
  • Heart of the Father (Short), directed by Hunter West
  • Fixing Christmas Trailer (Feature), directed by Hunter West

Thanks for stopping by…come back soon!

Cheers, DH

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The Frontier EP: The music

Friends! Family! Strangers!

HAPPY NEW YEAR!  I hope that the holidays were wonderful for you and yours, and that your 2018 is off to a great start.  I’m thrilled to be writing this post because I’m releasing a NEW EP of original music…and it’ll be available TOMORROW!  Woo!  This here blog post will (hopefully) be a little window into the inspiration behind the EP.

Working with limitations.  As a composer, one of my biggest dreams has been to compose music that gets performed by real-live humans who are great at playing their instruments.  Thankfully, over the last few years, I’ve had lots of opportunities to make that dream a reality.  My last few releases have included guitars and drums and bass and string orchestras and low brass sections and woodwind players.  While this always increases the cost of a project, it is ALWAYS worth it.

So, after we moved from Atlanta to Santa Monica, and since it costs about $100000000000 to move here and live here, I wasn’t sure how I was going to be able to afford releasing any new music.  After talking with Mary and figuring out our budget, the name of the game was “work with your limitations”.  That could have been a very constraining thought, but ended up being really inspiring!

The scope of the project completely changed.  From full album down to an EP, and from full instrument sections down to solo players.  So there’s a solo violin, a solo viola, a solo cello, a solo french horn, and an acoustic guitar.  We did overdubs on some of the stuff to make it feel a little bigger.  Everything else like pianos, synths, vocals (don’t worry I used a ton of reverb) and other subtle textures I did on my own.  It was a challenge but also very fun to write music specifically for this smaller “ensemble”, and to still find ways to be dynamic and cinematic throughout.

The songs.  This is a 3-song EP called “The Frontier”.  You’ll notice that the photo on the album artwork is of Los Angeles.  This music is all about Mary, Indy and I taking the leap to move out to California to pursue our careers and dreams.  We’ve been here for 6 months now and haven’t been evicted yet, so I guess we’re really doing it!

  • Westward:  This song kicks off the EP, and I was hoping to capture a sense of optimism and adventure…of pointing the car west, and driving off to catch the horizon.  There are some elements that almost make it feel like the wild west (pizzicato strings, and some boisterous french horns).
  • Harvest:  This song was written as my response to the horrible shooting at the Route 91 Harvest music festival in Las Vegas.  I’ve always believed that as composers and musicians we can push back against senseless acts of violence by creating new art and (hopefully) beauty for the world.
  • Sunsets With You (For Mary):  I wrote this song for Mary!  Obviously.  She is such an inspiring, wonderful woman that I could never possibly write enough to convey.  Her passion and ambition and intelligence and hard-work are eclipsed only by her heart and compassion for others, and her courage to stand up for her fellow person.  She has supported me and pushed me and loved me so well…and this song is for her.

That’s it!  So there you have it!  “The Frontier” will be available Thursday, January 11, 2018 for purchase on iTunes/Apple Music, Amazon Music, Spotify/Pandora, basically everywhere.  Check back soon for a post about the players and the process, and I really hope you enjoy!

Cheers,

DH

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It Will Cost.

In light of the tragic events that occurred last week in Paris, I feel a burden to write the following.  I’m on an airplane, heading home, catching up on the latest news on the BBC app.  I have so many mixed feelings and thoughts and questions.  It’s all swirling around and I don’t know how to process it all.

First and foremost, I feel heartbroken for the victims and their loved ones…for the city of Paris…and really for all of us.  I hope there will be a way for moving forward and healing and peace.

I also have feelings about the fact that one of these terror attacks targeted a concert.  I haven’t been able to process them fully.  I think that Bono mentioned recently that in the “War on Terror”, this is the first attack on music.  Wow.  I think that’s something that has weighed on me heavily.

On this same flight, I read a BBC article (A Point of View: The Tyranny of Pop by Roger Scruton) in which the author discusses “pop music” and the constant barrage of sound that we have in our culture today.

While the article hits pop music pretty hard (hey, I like some pop music, so lay off), I agree with the overarching thought as it applies to all music in general.  Here are some phrases that I’m currently trying to process:

“For our ancestors music was something that you sat down to listen to, or which you made for yourself.  It was a ceremonial event, in which you participated, either as a passive listener or as an active performer.  Either way you were giving and receiving life, sharing in something of great social significance.”

“For many people music is no longer a language shaped by our deepest feelings, no longer a place of refuge from the tawdriness and distraction of everyday life, no longer an art in which gripping ideas are followed to their distant conclusions.  It is simply a carpet of sound, designed to bring all thought and feeling down to its own level lest something serious might be felt or said.”

A language shaped by my deepest feelings.  Either giving or receiving life.  That’s what I want my music to be.  That’s what I want all of our music to be.  I confess that, too often, I’ve been distracted by opinions and acceptance, dollars and bills waiting to be paid.  There are times that performing and writing music have been solely about paying bills or trying to look/sound cool.  Not at all a language shaped by deepest feeling.

C.P.E. Bach said it this way:

“We must play from the soul, not like trained birds…Since a musician cannot move us unless he himself is moved, it follows that he must be capable of entering into all the affections which he wishes to arouse in his listeners; he communicates his own feelings to them and thus most effectively moves them to sympathy.”

I guess what I’m getting at is that if my music, or your music, was the last thing someone would hear…would we be proud of it?  Don’t we owe it to each other to pour our entire being into this music?  Composers, writers, performers, audio engineers.  I believe this is our profound responsibility.

So often after tragedy (personal or global in scale), I feel helpless.  There’s nothing that I can ACTUALLY to do to make things better or easier for those affected.  What can I do to make the world a better place?  What I DON’T have mixed feelings about is that composers and musicians have an incredible and weighty responsibility in this world.

Leonard Bernstein said:

“This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.”

That is my desire.  And my promise.  My music, composed or performed, will cost me.  It will have taken time and intention and money and investment and thought and tears and pain and joy to create.  It will mean something and have value.  I hope to honor you in that way, and hope that you will have grace for me in the times I fall short.

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