Single Pre-Release Single Pre-Release
  • Home
  • Credits
  • About
  • License
  • Listen
  • Events
  • News
  • Contact
  • Home
  • Credits
  • About
  • License
  • Listen
  • Events
  • News
  • Contact
  •  

Home / 2016 / March

March 2016

Single Pre-Release

Friends!

I am SO excited that my new record “We Came From the Dust” is going to be available TOMORROW (March 29)!  To celebrate Release-Eve, I wanted to let you hear a song from the album early.

This song is called “We’re Going to Make It (For Mary)”.  As you can tell, I wrote this song for my lovely bride Mary.  The last couple years have been pretty challenging as she’s working on a PhD in international conflict management.  It’s been so inspiring watching her chase after her dreams, and I wanted to write a song for the moments that are stressful or burdensome…so that she could hear it and know that we’ll always make it as long as we’re together!

Hope you enjoy, and stay tuned for details about the album release!!

Read More
Album Release! Album Credits! Woo!

Hello there!  I hope this Monday morning is off to an excellent start for you!

I am absolutely THRILLED to announce that my new record “We Came From the Dust” will be available on iTunes on March 29!

Yep…TOMORROW!  WOO HOO!!!

This project has been the most challenging one yet.  At times it was downright awful working on it.  The songs didn’t come easily, and it’s the most I’ve ever invested in a record…money, time, energy, thought, effort…it completely drained me (and probably Mary, too).

That said, it’s also the most rewarding project I’ve done.  I think the music on this album is the most honest/transparent stuff that I’ve written (which is  a bit scary for me), and I am so excited about the performances of all the musicians that took part in this.

Speaking of….here are some stats from this project:

  • 20 musicians and engineers
  • 10 studios across 6 states
  • Thousands of hours and dollars and tears and curse words
  • 7 songs that will hopefully make a difference

Later today I’ll be posting another blog with a SINGLE pre-release, and some more specific stuff about the record.  But in the meantime, check out the wonderful artwork (Mary created it!) and read about the incredibly talented people that made this music a reality!

  • Drums and Programming:  Jacob Arnold, Ryan Harvey
  • Bass:  Tim Gibson
  • Guitars:  Matt Adkins, Steve Marcia
  • Woodwinds:  Sam Levine
  • French Horns:  Sarah Wilkinson
  • Violin 1:  Nicole Parks, Sean Larkin
  • Violin 2:  Melissa Bull, Egle Jarkova
  • Violas:  Eve Boltax, Anne Black
  • Celli:  Aron Zelkowicz, Alan Toda-Ambaras
  • String Soloists: Melissa Bull, Eve Boltax and Aron Zelkowicz
  • String Recording and Production:  East Coast Scoring and Li Xiao’an
  • Keys/Trombones/Programming: Davis Harwell
  • Vocals:  Molley Moody, Davis Harwell
  • Additional Engineering:  Lane Johnson
  • Mixing:  Jeremy SH Griffith
  • Mastering:  Drew Lavyne
  • Album Artwork and Design:  Mary Fortson-Harwell

Read More
Music is medicine. Music is sanity.

I recently heard a FANTASTIC TED Talk given by Robert Gupta, violinist in the Los Angeles Philharmonic, and wanted to share some of the profound things I took away.  I’ve also embedded the full TED talk at the end of the post, and highly recommend you give the full thing a watch/listen!

In the talk, Gupta shares the story of Nathaniel Ayers, a Juilliard-trained double bassist who suffers from paranoid schizophrenia.  We’re probably all at least somewhat familiar with this story from the movie The Soloist.  Due to his affliction, Ayers dropped out of Julliard, suffered a complete breakdown, and 30-years later is living homeless on the streets of Skid Row in downtown LA.

Ayers had been refusing treatment after he had been “treated” with chemicals, shock treatment and handcuffs.  He was so scarred by these techniques that he became resistant to other methods of treatment.  As a result, he’s prone to episodes where he explodes or disappears for days at a time.

Gupta met Ayers in 2008 after a performance of the LA Philharmonic, and a few days later found out that Ayers was interested in having a violin lesson.  At the beginning of the lesson, Nathaniel was in a state of agitation, and seemingly close to an episode.  Here’s what Gupta said:

“He was talking about invisible demons, and smoke, and how someone was poisoning him in his sleep.  And I was afraid.  Not for myself, but I was afraid that I was going to lose him.  That he was going to sink into one of his states and that I was going to ruin his relationship with the violin if I started talking about scales and arpeggios and other forms of didactic violin pedagogy.”

At this point, the outcome of the lesson is seeming pretty grim.  But then:

“SO I JUST STARTED PLAYING.  As I played, I understood that there was a profound change occurring in Nathaniel’s eyes.  It was as if he was in the grip of some invisible pharmaceutical…Nathaniel’s manic rage was transformed into understanding, a quiet curiosity, and a grace.”

WOW.  “So I just started playing.”  This is incredible to me.  Someone on the verge of a manic breakdown was almost instantly calmed and centered just at the sound of music.  Gupta goes on to describe the rest of the lesson, as Nathaniel began playing (by ear!) snippets of different violin concertos.  They had conversation about composers from Bach to Sibelius, and Gupta realized that Ayers not only had a great knowledge of music, but a very personal connection to it.

Gupta continues:

“Through playing music and talking about music, this man had transformed…from the paranoid, disturbed man that had just come from walking the streets of downtown Los Angeles, to the charming, erudite, brilliant Juilliard-trained musician.

MUSIC IS MEDICINE.  Music changes us.  And for Nathaniel, MUSIC IS SANITY.“

Gupta explained that music was an escape for Nathaniel.  It allowed him to get away from the torment of his own mind.  Pretty powerful stuff.  I think there isn’t enough emphasis on this “side-effect” of music.  Often I ask myself, “Is this catchy?”, “Does it sound good enough?”, “Will people like/buy it?”, “Is this song going to help my career?”  All of those things seem so petty when you consider that music has the power to transform minds and souls.

Victor Hugo said it this way:

“Music expresses that which cannot be put into words and that which cannot remain silent.”

Imagine if we started filtering the music we create and perform through this lens?  NOT WHAT WILL SELL, BUT WHAT WILL HEAL?

I’ll let Mr. Gupta wrap up this blog post, as he says it very well:

“And I understood that this was the very essence of art, this was the very reason why we made music.  That we take something that exists within all of us at our very fundamental core, our emotions, and through our…creativity, we are able to shape those emotions into reality.  And the reality of that expression reaches ALL of us, and moves us.  Inspires and unites us.

I will always make music with Nathaniel, whether we are at Walt Disney Concert Hall or on Skid Row, because he reminds me why I became a musician.”

Read More

Recent Posts

  • Press: (Deadline) Atlantis Rocks
  • RELEASE DAY: The Sky Is Their Cathedral EP
  • RELEASE DAY: On The Mountains So Tall
  • Musicbed: New Partnership
  • Film Festivals!

Archives

  • July 2024
  • November 2019
  • August 2019
  • March 2019
  • January 2019
  • January 2018
  • April 2017
  • January 2017
  • March 2016
  • January 2016
  • November 2015
  • February 2015
  • June 2014
  • February 2014
  • January 2014
  • October 2013
  • September 2013
  • June 2013
  • May 2013
  • March 2013

Categories

  • DHM News
  • Uncategorized

© 2019 Davis Harwell Music