Happy release day, everyone! Thrilled that “The Frontier”, my new 3-song EP, is released out into the world for all to hopefully enjoy. You can check it out on iTunes or Amazon Music, and most streaming sites as well. For you filmmakers and video gurus, you can license the music over at The Music Bed! Exciting times!
I wanted to make sure I give credit to the amazing people who made this new music possible. When I look back on how it all came together, I’m really blown away and overwhelmed with gratitude. As discussed in my previous post, music COSTS…and especially in this season of life, every penny counts…so it is really humbling to be able to work with people who give such great care and attention to your music (as well as your budget). Without further adieu, here are the geniuses that made my music so lovely:
Miriam Mayer: violin, viola
Simone Vitucci: cello
Sarah Wilkinson: french horn
Matt Adkins: acoustic guitar
Josef Mirakovits: acoustic guitar engineering
Scott Michael Smith: strings engineering, mixing
Drew Lavyne: mastering
Mary Fortson-Harwell: artwork
The experiment and the process. This EP was always a bit of an experiment, and at times I was very nervous about how it was going to turn out. With our move, my budget for new music was basically cut in half. (I talked a bit about working with the limitations in my last post). I also wanted to use the opportunity to try and start building a bit of a community here in Los Angeles. But where to start? And when every cent counts, it became quite a stressful experience trying to find the right team for this project.
Enter Facebook. Yes, Facebook. I joined a Facebook forum for composers in all stages of their careers (from beginners to Hans Zimmer…yes, THAT Hans Zimmer). I connected with Scott through this forum after he posted offering to give some mix feedback to composers who needed it. We grabbed coffee, talked about my EP and he really helped get the ball rolling. Scott recorded the violin/viola/cello at his house and also mixed the entire EP.
Now to find the players. Again, enter this Facebook forum. Miriam is an administrator of the Facebook group, a prolific film composer, and a wonderful violinist. Through her we were able to figure out that she’d record violin and viola, and recommend a cellist. That cellist happened to be Simone (who you recently heard as a featured soloist on the score for Blade Runner 2049). The sessions went great…we did violin/viola with Miriam one evening, and then cello with Simone the next evening.
For french horns, I turned to Sarah…she’s recorded on several of my previous songs and I’m a huge fan. Fantastic playing and really wonderful to work with. She also played on some Sleeping At Last stuff, so I’m always a bit starstruck when I get to work with her.
At the last minute, I realized that the third song on the record “Sunsets With You” needed a little something extra in the bigger “chorus” sections at the end. Matt and Josef were the answer…they tracked a couple of acoustic guitar takes that are very subtle, and really perfect for the song.
Scott then took all of my stems, and somehow made it all into the wonderful mixes that you hear on the EP. I really can’t believe or describe to you the difference between what I gave him and what he gave back to me…the mixes are perfect.
The glue that ties it all together, and puts the perfect bow on it all, is the mastering. Drew Lavyne for some reason agreed to master it all for me, and he knocked it out of the park.
My lovely and talented wife Mary did the artwork for the album, and it’s so inspiring! The Frontier! Adventure! Let’s do this!
Long story short (if you’re still reading, thank you and I’m sorry)…the team is made up of friends (old and new) who are all completely out of my league, and I’m very grateful. Be sure to give them all some love, and thank you for reading along!
Cheers,
DH